Serveur d'exploration sur William Byrd

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Who is the Father? Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century England

Identifieur interne : 000321 ( Main/Exploration ); précédent : 000320; suivant : 000322

Who is the Father? Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century England

Auteurs : Suzanne Cole [Australie]

Source :

RBID : ISTEX:4F6E1315C252FAC205F7FFD3DD0DCFA4BFC876B1

English descriptors

Abstract

The extensive prefatory material of the Cantiones sacrae of 1575 casts Tallis and Byrd jointly as the parents of English music, but during the nineteenth century Tallis's position as ‘Father of English Church Music’ was undisputed, while Byrd's music was relatively neglected. The turn of the twentieth century, however, saw the beginning of a re-evaluation of the respective merits of the two composers. This article examines the nineteenth-century reception of Tallis and Byrd, paying particular attention to the change in attitude that occurred towards the end of the century, and to the role of Roman Catholicism in the early twentieth-century Byrd revival.

Url:
DOI: 10.1093/ml/gcm082


Affiliations:


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<div type="abstract">The extensive prefatory material of the Cantiones sacrae of 1575 casts Tallis and Byrd jointly as the parents of English music, but during the nineteenth century Tallis's position as ‘Father of English Church Music’ was undisputed, while Byrd's music was relatively neglected. The turn of the twentieth century, however, saw the beginning of a re-evaluation of the respective merits of the two composers. This article examines the nineteenth-century reception of Tallis and Byrd, paying particular attention to the change in attitude that occurred towards the end of the century, and to the role of Roman Catholicism in the early twentieth-century Byrd revival.</div>
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