Who is the Father? Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century England
Identifieur interne : 000321 ( Main/Exploration ); précédent : 000320; suivant : 000322Who is the Father? Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century England
Auteurs : Suzanne Cole [Australie]Source :
- Music and Letters [ 0027-4224 ] ; 2008.
English descriptors
- Entity :
- org : American Musicological Society, England and Ireland, Collected, England and Ireland, the Revd John Jebb, Research Chronicle, University of Melbourne, Vatican Library.
- pers : A. L. Bacharach, Albert, Albert Memorial, Alistair Dixon, Arthur Searle, Bird, Brian Crosby, C. T. Gatty, Charity Children, Charles O Lord, Chris Banks, Craig Monson, D. W. Krummel, David Humphreys, Dorian Mode, Dorian Service, E. F. Rimbault, Edward Lowe, Edward Rimbault, Fiona M. Palmer, Grove, Gulielmus, H. B. Collins, H. Diack, H. Husk, Harley, Henry Davey, Henry Duke, Henry Lawes, Ian Spink, J. A. Fuller, J. E. Matthew, J. Guggenheim, J. P. Street, J. Powell, John Barnard, John Bennett, John Hawkins, John Immyns, John Jebb, John Milsom, Joseph Kerman, Kerman, Lowell E. Lindgren, M. Duncan, Metcalfe, Nicola Francesco, Orlando Gibbons, Philip Olleson, Philip van Wilder, Ricardus, Richard Turbet, Robert Schumann, Rockstro, Roman Catholicism, Roman Rite, Samuel Wesley, Service, Smith Rockstro, Stephen Bayley, T. Washbourne, Tallis, Tallis Byrd, Tallis Mass, Tallis Patron, Thomas Oliphant, Thomas Tallis, Thomas Wingham, Times, Turbet, United Church, Vincent Novello, W. B. Squire, William Boyce, William Byrd, William Byrde, William Crotch, William Dawson, William Horsley, Ye Love.
- place : Birmingham, Cambridge, DC., Durham, Ireland, Lincoln, London, Maidstone, Norfolk, Palestrina, Roman, St Alphege, St Barnabas, St Benedict, St. Alfege, St. Barnabas, Washington.
Abstract
The extensive prefatory material of the Cantiones sacrae of 1575 casts Tallis and Byrd jointly as the parents of English music, but during the nineteenth century Tallis's position as ‘Father of English Church Music’ was undisputed, while Byrd's music was relatively neglected. The turn of the twentieth century, however, saw the beginning of a re-evaluation of the respective merits of the two composers. This article examines the nineteenth-century reception of Tallis and Byrd, paying particular attention to the change in attitude that occurred towards the end of the century, and to the role of Roman Catholicism in the early twentieth-century Byrd revival.
Url:
DOI: 10.1093/ml/gcm082
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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<front><div type="abstract">The extensive prefatory material of the Cantiones sacrae of 1575 casts Tallis and Byrd jointly as the parents of English music, but during the nineteenth century Tallis's position as ‘Father of English Church Music’ was undisputed, while Byrd's music was relatively neglected. The turn of the twentieth century, however, saw the beginning of a re-evaluation of the respective merits of the two composers. This article examines the nineteenth-century reception of Tallis and Byrd, paying particular attention to the change in attitude that occurred towards the end of the century, and to the role of Roman Catholicism in the early twentieth-century Byrd revival.</div>
</front>
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